Pular para o conteúdo principal

Surfing in the age of constant recording

Surfing, today: we are surrounded by drones, photo, video, and live cameras | Photo: AN/Creative Commons

Some living surfers are still from the time when there were no cameras shooting wave-riding.

Imagine a world where there was no one capturing the timeless beauty of a well-ridden wave. Hardly believable, right?

No surf photographers, no mainstream interest in the sport of kings. Nothing. Just humans elegantly dancing on unbroken ripples and magically walking on water.

Everything was "in the moment." No gadgets to encapsulate the present so that, in the future, we could relive the past.

And then, there was an opportunity for a periodical surf-related publication, which featured black and white images of people - like yourself - doing the things you loved.

Slowly, the first book about surfing gave way to one, two, three magazines.

And colored pictures made the dream as blue as the most perfect waves a surfer could be blessed with.

Surfers realized they could pause their best moments. And then giant waterproof cameras got closer to the action.

The Surf Riders of Hawaii: the world's first surf book

TV, movies, and surf cams

The time of iconic surfing photos had been born at the heart of the 20th century, a few decades before mainstream television discovered a potentially interesting audience for live broadcasts or hour-long coverages of prestigious surf contests.

Movies followed. The ones shot by surfing enthusiasts and featuring surfers ("The Endless Summer," for example) or planned by Hollywood executives in air-conditioned rooms ("Gidget," for example).

In 1996, Sean Collins, the founder of Surfline, debuted the world's first live surf camera for the US Open of Surfing.

From that moment on, if you were a surfer on a popular break, the chances that you were being watched by hundreds of thousands of people were high.

YouTube, 2005: the broadcast yourself concept changed surfing

Action cameras and YouTube

The following visual disruption took place several decades later, when the first attempts at point-of-view shooting allowed non-surfers to witness surfing's most glorious moment - the barrel - from the surfer's perspective.

Onboard cameras were the next step.

The world's first wrist‑mounted camera arrived around 2004 and revolutionized amateur video content making.

Suddenly, we could shoot our own surf and proudly share it with friends and family. If bragging was not enough within surfing, these tiny portable waterproof cameras made us all stars. Or not quite.

But your closed circle of friends would soon become the world.

In 2005, YouTube made it possible for a weekend warrior to showcase their average-ridden waves to the planet.

Hundreds, thousands, hundreds of thousands, and then millions of short or long videos saw the light of day.

The same person who had started surfing in the black-and-white photo camera era was now being shot riding their longboard in idyllic surf breaks.

Soloshot: the robot cameraman for surfers

The advent of the robot cameraman and drones

Are you already thinking about drones? Chill out. There's still an important chapter in between.

Remember the robot cameraman? It was a tripod on which a regular video camera would sit. And then a tag strapped to the surfer's arm would make it follow you and track your rides.

The first consumer market drones marked another important stage in transforming surfing into one of the most striking sports to watch on screens.

And nearly anyone could easily become a surf filmmaker.

They put several aerial filming helicopter services out of business.

The social media era

And as the shooting resolution of affordable portable action cameras increased, social media kicked in and made anonymous surfers who had never put on a jersey or ridden anything above six feet, kings of content and following.

You could be a kook and steal the attention from pro surfers. You could be silly and have more people watching your chewing gum pop, surf-related content than Kelly Slater or Andy Irons' best ever rides.

Social media platforms made 10-second clips of surfing as vulgar and bland as the difference in taste between a McDonald's hamburger in America and Indonesia.

Stories and reels became synonymous with videos of waves without the paddling and the whitewater finish.

In other words, surfing with preservatives for attention-deficit individuals and spectators whose patience is ultra-limited.

AI-powered video capture: see yourself while you surf | Photo: PSSC

AI-powered video capture

But the levels of self-centeredness and vanity, a characteristic inherently associated with surfers, still had more room to grow.

The age of constant recording reaches its peak in the artificial world of surfing, where chlorinated water-filled wave pools feature giant LED screens playing your latest wave.

All thanks to the latest human obsession: artificial intelligence (the world's second AI after Andy Irons), the so-called trillionaire new world that promises to cure all diseases and prepares to design an unemployment planet where we can all... surf.

So, while you're still taking off your wetsuit after an hour of waves that are an exact copy of themselves, you already have available - not for free, obviously - the complete video collection of your session's rides at the surf park.

And for a few extra tenners, you may very well have AI (the non-human robot) analyzing and telling you what you did well and what could be improved.

We're reaching the peak of the age of constant recording where even the soul of a soul surfer will be captured - from above, from the side, from under and within, and made public to the world, whether they want it or not.

Congratulations: you have been televised. You are now immortal before even being dead.


Words by Luís MP | Founder of SurferToday.com



por Surfing | News, Headlines and Top Stories https://ift.tt/kbLqTCt

Postagens mais visitadas deste blog

Duke Kahanamoku reflects on surfing, Olympics, and old Hawaii in 1966 interview

Duke Kahanamoku is the most influential surfer of all time and is often hailed as the father of modern surfing. There is nearly no one questioning these titles. Recently, Public Broadcasting Service (PBS) Hawaii unveiled a never-before-seen interview with the legendary surfer and Olympic swimmer. In the 1966 episode of Pau Hana Years, a seminal Hawaii television program that aired on KHET-TV (now PBS Hawaii) for 16 years, running from 1966 until 1982, Bob Barker chats with Duke Kahanamoku, then 76. The conversation drifts from royal ancestry to Olympic lanes, from Hollywood sets to a surfboard shaped by hand, tracing the outline of a life that helped define modern surfing and Hawaii's public image in the 20th century. And if you know little about the man who dreamed of getting surfing into the Olympic Games, this is a precious piece of history. A name with history, worn casually The interview starts with Kahanamoku explaining that "Duke" is not a title but his giv...

The hydrodynamics of surfboard fins

Have you ever wondered why a surfboard fin looks like that? It is a single or a set of fixed blades or keels located under a board, near the tail, often no bigger than a hand. Yet that small surface is where much of the surfboard's behavior takes place. Speed, hold, looseness, and the feeling of control all trace back to how water moves around fins. The physics of surfboard fins falls under hydrodynamics, the study of how fluids behave in motion. So, according to science, they feature a shape designed to turn flowing water into several forces. Let's take a look at what's at stake when fins and water interact. Lift and the feeling of control One of the key variables in hydrodynamic terms involving surfboard fins is lift. When a surfer leans into a turn, the board tilts and the fins meet the water at an angle. The angle is enough to create a pressure difference between the two sides of the fin. Water speeds up on one side and slows on the other. The result is a sidewa...

How paddleboarding transforms your body and mind

Adventure is on our doorstep. With so many different bodies of water available to paddleboarders, from city canals to coastal routes, we can find adventure in places much closer to home than people might initially expect. According to the Canal and River Trust, 50 percent of people in England and Wales live within just eight kilometers of a canal or river, and eight million people live less than one kilometer away. I had lived within just a few kilometers of the Leeds and Liverpool Canal for years and never really explored it before stand-up paddleboarding (SUP) came into my life . The challenge created both a new perspective and a deeper love for where I lived and the areas which I passed through. On my coast-to-coast journey, I slept in my own bed for two nights as the route passed through my then hometown of Skipton, yet I felt I was on a grand journey of discovery. We are braver, stronger, and more resilient than we think. SUP not only helps us feel more connected to our va...